GVRL TWINK
donatello: hhhhhHRRNNGGH
donatello: HRRRFH
michaelangelo: jeez, donny, what's got you so worked up
donatello: [inhales sharply through nose]
donatello: nothing i want to explain right now, mikey
michaelangelo: boy, seeing you steamed like this, i thought raph was supposed to be the pissed off one
donatello: WELL, MIKEY
donatello: i guess you never considered the FULLNESS of a person's PERSONALITY
donatello: or how UPSET they can get when something that's supposed to WORK just doesn't WORK
donatello: it. should. WORK
3 HOURS LATER
donatello in a trench coat hurling balls overhand at the bowling alley: HHHHRAARRGHGH
donatello in a trench coat hurling balls overhand at the bowling alley: FUCK
artissimo:
“ water knight by jason nguyen
CFSL.net, Tome 2 (French Edition)
”

artissimo:

water knight by jason nguyen

CFSL.net, Tome 2 (French Edition)

taylor-ruth:

it doesn’t sit well with me that “emotional labor” in it’s original context was Arlie Hochschild talking very specifically about how taxing face to face service industry jobs are for people (namely women) with this very nuanced context and is now used in everything from “i had to explain something to someone on twitter” or heavily in contexts of romantic relationships. not all emotional management and exchange is labor! to insert the idea of “labor” excessively into interpersonal relationships creates a system of “i performed ____ and now you OWE me for exerting ____” and it’s not healthy or what the term is for.

redpilledbyvelt:
“ All these floral filters are giving me excuses to post my face again
(She/her)
”

redpilledbyvelt:

All these floral filters are giving me excuses to post my face again

(She/her)

revengeance:

Akira Toriyama: At that time it began to be more fun to think up the story than to draw the pictures. But with the story, I basically only thought of each chapter. That’s why I end up getting caught in these quagmires. (laughs) Around the time of Trunks’ time travel, it was dreadful. I kept drawing, and it just got more and more incoherent.

Kazuhiko Torishima: You only got away with that because Kondō was your editor. I can’t stand that kind of troublesome stuff. (laughs)

Akira Toriyama: You’re terrible to say that, Torishima-san. Right around then was when the Androids No. 19 and No. 20 appeared. You weren’t my editor or anything anymore, but you specifically called me to say “I thought that the enemies had finally come, but aren’t these just a geezer and a fatso?” (laughs) In truth, I hadn’t had plans for anyone but No. 19 and No. 20 to appear. But there was no helping it, so I brought out No. 17 and No. 18. Then you called me up and said “What, this time it’s just some brats?” So I brought out Cell. (laughs)

Fuyuto Takeda: So you hadn’t planned on Cell appearing at all?

Akira Toriyama: That’s right. I liked No. 19 and No. 20 just fine. And I liked the initial Cell fine as well.

Fuyuto Takeda: The bug-like one?

Akira Toriyama: But Kondō-san said “He looks ugly. Of course, he can transform.”, so I had no choice but to transform him into his second-form.

Yū Kondō: Was that how it was?

Akira Toriyama: And then you were really awful, Kondō-san. “This time he looks like a moron, doesn’t he? Hurry up and make him into his perfect-form.” you said.

Yū Kondō: But he really did look like a moron. (laughs)

Akira Toriyama: With second-form Cell as well, I liked him well enough. Actually, I had wanted him to play a more active role. But since I was told he looked stupid, I had no choice but to change him. (laughs) So I made him into his cool-looking perfect form, which was to Kondō-san‘s liking.

Oh my god.

endthymes:
“ nobuhiro nakanishi, ‘sunrise’ 2012
”

endthymes:

nobuhiro nakanishi, ‘sunrise’ 2012